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Martin Lawrence rolls his eyes, crashes through tables and flaps his arms as Big Momma, and Brandon T.
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It’s not a bad film, in the sense that, say, Devil or The Last Airbender or Skyline were bad, in that entertaining way this site adores. Thereafter, Big Mommas‘ leads totter around in their lady gear, falling over and fending off the unwanted attention of men, or in Trent’s case, trying to cover up his attraction to his fellow students, in particular Haley (Jessica Lucas), who specialises in writing sappy love songs.Īt no point in any of Big Mommas‘ 107 minutes did anyone laugh. Why would a father and son dress as women and hide out in a girls’ school? Because an informant hid some potentially incriminating evidence in the library.
#BIG MOMMA MOVIE LIKE FATHER LIKE SON SERIES#
What we have, then, isn’t so much a storyline as a poorly constructed setup for a series of visual gags. Its setting of a girls’ performing arts school also appears to have been chosen in an effort to court the Glee/High School Musical demographic, and the film’s producers have thrown in a few toe-curling song and dance numbers just to make the connection obvious. Jackson, who’s 26), presumably to entice a younger audience into watching the film.
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Lawrence once again dons his padded lady suit as an FBI agent posing as a middle-aged, heavyweight matriarch, only this time he’s dragged along his rapping teenage nephew, Trent (Brandon T. After the first hour, the events on the screen disintegrated into weird shapes, its sounds ran into one another like a new kind of languid, frightening jazz.īig Mommas is one of those films whose entire plot can be understood by simply watching its trailer. Watching Big Mommas, then, was a weird, shamanic experience, like being sealed in a sensory deprivation tank.